Poetry and lightness coexist in this bold collection of suspension lamps, based on the stylistic expressions of the late 1950s and early 1960s. Roberto Lazzeroni reinterprets attempts to combine tradition and modernity to construct his own approach, poetically connected to a familiar imaginary. Like splinters, the curved Venetian Crystal segments match irony with rigour. Visibly anchored to the ring structure, they screen opaline glass cylinders containing a dual array of light bulbs. On one, two or three levels, they establish proportional relations of remarkable impact.
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